Before timelines, before keyframes, before I knew what editing meant, there was the smell of paper, thick with ink, and the roaring of a printer. I grew up inside La Voce d’Italia, an Italian newspaper my grandfather built in 1950 in Caracas. I learned early on that storytelling isn’t just words on a page. It’s craft. It’s urgency. It’s rhythm. It’s responsibility.

Following his footsteps, in 2014, I co-founded ViceVersa Magazine, a publication created for the Latin American community in the U.S. and beyond.

Today, I work across editing and motion design. I’ve collaborated on feature and short documentaries, podcasts, children’s media, and cultural projects. 

I am particularly drawn to stories that sit at the intersection of art and social justice, where visual craft can be used to illuminate urgent issues.

I’m a member of BIPOC Doc Editors, The Handy Foundation, and Brown Girls Doc Mafia.